重建妲己

重建妲己

2022/07/06
2022/10/22
一個脈絡式的重建
展覽頁面呈現形式
縱式
策展者
黃銘崇
吳慧婷
中央研究院歷史文物陳列館
展覽封面
2217252f550d99e19070b3b7875fbb70
展覽資料
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"", "musicURL": "" }, "quote-sxwtctwpfx": { "id": "quote-sxwtctwpfx", "type": "quote", "sortable": true, "musicName": "無", "weight": 3, "desc": "此次的展覽主角「妲己」,商王帝辛的王后。<br>她是中國歷史中,最廣為記載的女性之一。是否有想過,妲己為何會從歷史洪流中的諸多女性脫穎而出?她的名氣又是如何形成的呢?", "musicText": "", "musicURL": "" }, "embed_html-sgdgaahmji": { "id": "embed_html-sgdgaahmji", "type": "embed_html", "sortable": true, "weight": 4, "embed_html": "<iframe src=\"https://app.sli.do/event/6PaKLFek36fcQP1Qevv6Az/embed/polls/8c2365b1-b1d0-4100-af2c-2547e96a984c\" width=\"300\" height=\"400\"></iframe>" }, "theme-7pzp5ncgen": { "id": "theme-7pzp5ncgen", "type": "theme", "sortable": true, "primaryObj": { "oid": "22f40ddd28eb3c1e8f5820dfc31586d2", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/b94f7dd82c1b881591803fa97b47c07e.jpg?itok=i554ycCe", "level": "primary", "title": "一個脈絡式的重建展覽素材", "desc": "", "thumbURI": 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center;\n\t}\n\t.info-img {\n\t\theight: 100%;\n\t\tmax-height: 800px;\n\t\twidth: auto;\n\t}\n\t.info-text {\n\t\tbackground: #fff;\n\t\tborder: 5px solid #EEC575;\n\t\tpadding: 2em;\n\t\twidth: 35vw;\n\t\tmin-height: 300px;\n\t}\n\t.info-text h2 {\n\t\tfont-size: 2rem;\n\t\ttext-align: center;\n\t\tmargin-bottom: 1rem;\n\t}\n\t.info-text p {\n\t\tfont-size: 1.125rem;\n\t}\n\t@media screen and (max-width: 1024px) {\n\t .info-img {\n\t \tmax-height: 500px;\n\t }\n\t .info-text {\n\t \twidth: 46vw;\n\t }\n\t}\n\t@media screen and (max-width: 960px) {\n\t .info {\n\t \tflex-direction: column;\n\t \tjustify-content: flex-start;\n\t \tposition: relative;\n\t }\n\t .info-img {\n\t \twidth: 100%;\n\t \theight: auto;\n\t }\n\t .info-text {\n\t \twidth: 90%;\n\t \tposition: absolute;\n\t \ttop: 42%;\n\t \tmin-height: fit-content;\n padding: 1em;\n\t }\n\t}\n</style>\n<div class=\"info\">\n\t<img src=\"https://images.jifo.co/138313561_1665582750546.png\" alt=\"妲己線上展覽插畫_黃銘崇老師\" class=\"info-img\">\n\t<div class=\"info-text\">\n\t\t<h2>研究員怎麼說</h2>\n\t\t<p>正確來說,我們熟悉的歷史與史書記載,都有可能不是史實。史書記載通常乘載紀錄者本身的想法與偏見。當我們透過這些紀載,都可能只是接近當時的狀況,但卻不是百分之百的事實。</p>\n\t\t<p>若想貼近「妲己」的樣貌,可以透過一種脈絡式理解的研究方法。</p>\n <p>在此之前,我們先來整理一下既有的研究材料。</p>\n\t</div>\n</div>" }, "text-qawy7go73p": { "id": "text-qawy7go73p", "type": "text", "sortable": true, "musicName": "無", "weight": 9, "title": "文獻紀載", "desc": "從文獻記載中,我們得知不同人對於妲己的一些說法...", "musicText": "", "musicURL": "" }, "embed_html-8xtiptsc7z": { "id": "embed_html-8xtiptsc7z", "type": "embed_html", "sortable": true, "weight": 10, "embed_html": "<iframe src=\"https://openmuseum.tw/museday/ihpdemo/\" title=\"各代人物怎麼說\"></iframe>" }, "embed_html-z9cgmn2b3a": { "id": "embed_html-z9cgmn2b3a", "type": "embed_html", "sortable": true, "weight": 11, "embed_html": "<style type=\"text/css\">\n\t.info {\n\t\twidth: 100%;\n\t\theight: 100vh;\n\t\tdisplay: flex;\n\t\tjustify-content: center;\n\t\talign-items: center;\n\t}\n\t.info-img {\n\t\theight: 100%;\n\t\tmax-height: 800px;\n\t\twidth: auto;\n\t}\n\t.info-text {\n\t\tbackground: #fff;\n\t\tborder: 5px solid #EEC575;\n\t\tpadding: 2em;\n\t\twidth: 35vw;\n\t\tmin-height: 300px;\n\t}\n\t.info-text h2 {\n\t\tfont-size: 2rem;\n\t\ttext-align: center;\n\t\tmargin-bottom: 1rem;\n\t}\n\t.info-text p {\n\t\tfont-size: 1.125rem;\n\t}\n\t@media screen and (max-width: 1024px) {\n\t .info-img {\n\t \tmax-height: 500px;\n\t }\n\t .info-text {\n\t \twidth: 46vw;\n\t }\n\t}\n\t@media screen and (max-width: 960px) {\n\t .info {\n\t \tflex-direction: column;\n\t \tjustify-content: flex-start;\n\t \tposition: relative;\n\t }\n\t .info-img {\n\t \twidth: 100%;\n\t \theight: auto;\n\t }\n\t .info-text {\n\t \twidth: 90%;\n\t \tposition: absolute;\n\t \ttop: 42%;\n\t \tmin-height: fit-content;\n padding: 1em;\n\t }\n\t}\n</style>\n<div class=\"info\">\n\t<img src=\"https://images.jifo.co/138313561_1665582750546.png\" alt=\"妲己線上展覽插畫_黃銘崇老師\" class=\"info-img\">\n\t<div class=\"info-text\">\n\t\t<h2>研究員解答</h2>\n\t\t<p>歷史並不是故事。關於上述這些說法,其實是有疑問的,民初的歷史學家顧詰剛也在著作中彙整了這些疑點。</p>\n\t</div>\n</div>" }, "text-64zet8i3ky": { "id": "text-64zet8i3ky", "type": "text", "sortable": true, "musicName": "無", "weight": 12, "title": "考古出土材料", "desc": "文獻記載是我們對妲己印象的最初來源。<br>但考古出土材料,才是讓我們更為貼近妲己,甚至是整個商代貴族女性實際狀況的證據。", "musicText": "", "musicURL": "" }, "embed_html-c8e2rbqw3h": { "id": "embed_html-c8e2rbqw3h", "type": "embed_html", "sortable": true, "weight": 13, "embed_html": "<style type=\"text/css\">\n\t.text-group {\n\t\tbox-sizing: border-box;\n\t\twidth: 50vw;\n\t\tmargin: 5% auto;\n\t}\n\t.text-group h2 {\n\t\tpadding: 1em;\n\t\tfont-size: 2em;\n\t\ttext-align: center;\n\t}\n\t.text-group p {\n\t\tpadding: 1.5em 3em;\n\t\tfont-size: 1.15em;\n\t\tbackground: #EFEFEF;\n\n\t}\n\t@media screen and (max-width: 1024px) {\n\t\t.text-group {\n\t\t width: 90%;\n\t\t}\n\t\t.text-group h2 {\n\t\t\tpadding: 0.5em;\n\t\t\tdisplay: block;\n\t\t\tfont-size: 1.5em;\n\t\t}\n\t\t.text-group p {\n \t\t\ttext-align: left!important;\n \t\t\tfont-size: 1em;\n \t\t\tpadding: 0.8em 1.2em;\n\t\t}\n\t}\n</style>\n<div class=\"text-group\">\n\t<h2 style=\"background-color: #92BE8E;\">殷墟婦好墓</h2>\n\t<p>1975年,中國社會科學院考古研究所發掘出土的殷墟婦好墓,是我們了解商代貴族女性最直接的證據。其墓葬出土大量的青銅兵器隨葬品,顯示身為商王之妻的女性有涉及軍事方面的事務,具帶兵征戰的職務。</p>\n</div>\n<div class=\"text-group\">\n\t<h2 style=\"background-color: #FBD77C;\">青銅器銘文</h2>\n\t<p>從婦好墓中出土的青銅器,提供了我們理解「妲己」這個名號的線索。「妲己」這個名號符合商貴族名號的用法,「妲」為私名,「己」為她所屬的世系群。由於商人我、他分明,若妲己為末代商王帝辛(名受,紂王)的法定配偶,那就是王族的女性,而非出自他群有蘇氏的蘇妲己。且從商代金文中目前並未見到「蘇」這個族氏。</p>\n</div>\n<div class=\"text-group\">\n\t<h2 style=\"background-color: #E75F5F;\">甲骨文記載</h2>\n\t<p>在甲骨文周祭譜記載的法定商王配偶,應該是王族的女性,且所有商王與王后的日干皆不相同(這與周代以後「同姓不婚」的意思相同)。另外《英國所藏甲骨・150》「辛巳卜,貞:登婦好三千,登旅萬,呼伐羌。」為婦好徵集私屬軍隊三千人,外加其他部隊共萬人征伐羌;《甲骨文合集・6412》「辛卯卜,爭貞,今甾王登人,呼婦好伐土方,受有保祐。五月。」為婦好與商王武丁並肩作戰。都讓我們再了解商代女性名號以及多元的社會角色。</p>\n</div>" }, "embed_html-24ha4cmfix": { "id": "embed_html-24ha4cmfix", "type": "embed_html", "sortable": true, "weight": 14, "embed_html": "<style type=\"text/css\">\n\t.info {\n\t\twidth: 100%;\n\t\theight: 100vh;\n\t\tdisplay: flex;\n\t\tjustify-content: center;\n\t\talign-items: center;\n\t}\n\t.info-img {\n\t\theight: 100%;\n\t\tmax-height: 800px;\n\t\twidth: auto;\n\t}\n\t.info-text {\n\t\tbackground: #fff;\n\t\tborder: 5px solid #EEC575;\n\t\tpadding: 2em;\n\t\twidth: 35vw;\n\t\tmin-height: 300px;\n\t}\n\t.info-text h2 {\n\t\tfont-size: 2rem;\n\t\ttext-align: center;\n\t\tmargin-bottom: 1rem;\n\t}\n\t.info-text p {\n\t\tfont-size: 1.125rem;\n\t}\n\t@media screen and (max-width: 1024px) {\n\t .info-img {\n\t \tmax-height: 500px;\n\t }\n\t .info-text {\n\t \twidth: 46vw;\n\t }\n\t}\n\t@media screen and (max-width: 960px) {\n\t .info {\n\t \tflex-direction: column;\n\t \tjustify-content: flex-start;\n\t \tposition: relative;\n\t }\n\t .info-img {\n\t \twidth: 100%;\n\t \theight: auto;\n\t }\n\t .info-text {\n\t \twidth: 90%;\n\t \tposition: absolute;\n\t \ttop: 42%;\n\t \tmin-height: fit-content;\n padding: 1em;\n\t }\n\t}\n</style>\n<div class=\"info\">\n\t<img src=\"https://images.jifo.co/138313561_1665582750546.png\" alt=\"妲己線上展覽插畫_黃銘崇老師\" class=\"info-img\">\n\t<div class=\"info-text\">\n\t\t<h2>研究員解說</h2>\n\t\t<p>瞭解掌握材料的邏輯與使用方式,如在文獻記載中找出有關妲己或商王后比較可靠的事蹟,再以考古出土材料去佐證。但其實我們復原的並不僅是妲己這個人,還要透過整個商代時空框架與社會脈絡,去貼近商代女性的面貌,這就是「脈絡式的歷史重建」。</p>\n\t</div>\n</div>" }, "theme-jotzxbbb35": { "id": "theme-jotzxbbb35", "type": "theme", "sortable": true, "primaryObj": { "oid": "22f40ddd28eb3c1e8f5820dfc31586d2", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/61788f8e1a77934c2681384cd781aa0c.jpg?itok=ikfUErl8", "level": "primary", "title": "一個脈絡式的重建展覽素材", "desc": "", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/61788f8e1a77934c2681384cd781aa0c.jpg?itok=WnL_S3oW", "thumbMediumURI": 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"<style type=\"text/css\">\n\t.info {\n\t\twidth: 100%;\n\t\theight: 100vh;\n\t\tdisplay: flex;\n\t\tjustify-content: center;\n\t\talign-items: center;\n\t}\n\t.info-img {\n\t\theight: 100%;\n\t\tmax-height: 800px;\n\t\twidth: auto;\n\t}\n\t.info-text {\n\t\tbackground: #fff;\n\t\tborder: 5px solid #EEC575;\n\t\tpadding: 2em;\n\t\twidth: 35vw;\n\t\tmin-height: 300px;\n\t}\n\t.info-text h2 {\n\t\tfont-size: 2rem;\n\t\ttext-align: center;\n\t\tmargin-bottom: 1rem;\n\t}\n\t.info-text p {\n\t\tfont-size: 1.125rem;\n\t}\n\t@media screen and (max-width: 1024px) {\n\t .info-img {\n\t \tmax-height: 500px;\n\t }\n\t .info-text {\n\t \twidth: 46vw;\n\t }\n\t}\n\t@media screen and (max-width: 960px) {\n\t .info {\n\t \tflex-direction: column;\n\t \tjustify-content: flex-start;\n\t \tposition: relative;\n\t }\n\t .info-img {\n\t \twidth: 100%;\n\t \theight: auto;\n\t }\n\t .info-text {\n\t \twidth: 90%;\n\t \tposition: absolute;\n\t \ttop: 42%;\n\t \tmin-height: fit-content;\n padding: 1em;\n\t }\n\t}\n</style>\n<div class=\"info\">\n\t<img src=\"https://images.jifo.co/138313561_1665582750546.png\" alt=\"妲己線上展覽插畫_黃銘崇老師\" class=\"info-img\">\n\t<div class=\"info-text\">\n\t\t<h2>研究員解說</h2>\n\t\t<p>我們推敲妲己死前,應該是在牧野之戰戰場上領兵作戰。妲己以戎裝出場,是有符合妲己死前心境的用意。另外妲己身上總是充滿「妖后、狐狸精、美貌」,這些非常女性化的標籤,因此以戎裝出現,也是有展現她身為商代女性的多元社會角色。</p>\n\t</div>\n</div>" }, "embed_html-rsfv6dkns5": { "id": "embed_html-rsfv6dkns5", "type": "embed_html", "sortable": true, "weight": 17, "embed_html": "<iframe id=\"muse-curation-iframe\" src=\"https://ihp.openmuseum.tw/embed/anotation/816\" frameborder=\"0\" scrolling=\"no\" width=\"100%\" height=\"800px\"></iframe>" }, "theme-1np656rx2d": { "id": "theme-1np656rx2d", "type": "theme", "sortable": true, "primaryObj": { "oid": "22f40ddd28eb3c1e8f5820dfc31586d2", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/b94f7dd82c1b881591803fa97b47c07e.jpg?itok=i554ycCe", "level": "primary", "title": "一個脈絡式的重建展覽素材", "desc": "", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/b94f7dd82c1b881591803fa97b47c07e.jpg?itok=LdPdd2qj", "thumbMediumURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_medium/mcode/b94f7dd82c1b881591803fa97b47c07e.jpg?itok=DDqIaNGy", "thumbBigURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_big/mcode/b94f7dd82c1b881591803fa97b47c07e.jpg?itok=CoEx84UF", "background": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1920/mcode/b94f7dd82c1b881591803fa97b47c07e.jpg?itok=HT-PoMbk", "mfid": "b94f7dd82c1b881591803fa97b47c07e", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "歷史文物陳列館", "rightsLogo": "https://ihp.openmuseum.tw/files/muse_ihp/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "妲己現身反駁", "desc": "請輸入頁面說明", "musicName": "無", "weight": 18, "musicText": "", "musicURL": "" }, "embed_html-2xzqmho0eg": { "id": "embed_html-2xzqmho0eg", "type": "embed_html", "sortable": true, "weight": 19, "embed_html": "<style>\ndetails > summary {\n padding: 4px;\n background-color: #eeeeee;\n border: none;\n box-shadow: 1px 1px 2px #bbbbbb;\n cursor: pointer;\n text-align: center;\n}\n\n.summary-info {\n box-shadow: 3px 3px 6px 1px #bbbbbb;\n width: 70%;\n margin: 0 auto;\n}\n.summary-info p {\n margin: 0 auto;\n width:100%;\n padding: 1em;\n}\n\nh2 {\n\tdisplay: inline-block;\n}\n\n.center{\n\ttext-align: center;\n}\n.iframe-block {\n width:800px;\n height:600px;\n margin:1em auto;\n}\n@media screen and (max-width: 960px) {\n .iframe-block {\n width:100%;\n height:400px;\n }\n .summary-info {\n width: 90%;\n }\n summary h2 {\n display: initial;\n }\n .summary-info p {\n margin: 0 auto;\n width:100%;\n padding: 8px;\n text-align: left!important;\n }\n}\n\n</style>\n\n<details open=\"\">\n<summary><h2>疑問1:妳是不是干預商的朝政?</h2></summary>\n <div class=\"summary-info\" >\n <div class=\"center\" >\n <div class=\"iframe-block\"> \n <iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/berFNieUDl4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" loading=\"lazy\"></iframe>\n </div>\n </div>\n <p>補充說明:從現存的一些甲骨文,我們可以知道商王武丁的王后婦好,她不但在戰場上與武丁並肩作戰,並也擁有自己的軍隊。除了婦好,武丁的另一王后婦妌也有參與戰爭征伐龍方的紀錄。另外還有一些在甲骨文中性別不太易區分的「子某」可能也為女性。所以在商代,女性貴族參與戰爭者應不算少數。另外,從傳世文獻與金文記載,都有顯示商人貴族的繼承系統與社會制度與周人有很大的不同。商人是雙系制度,父系社會為主,但在繼承上卻以母系來傳承,是子以母貴。因此,商王的親姐妹是具有傳遞下一代王位的權力。這樣的制度也保障商代女性的政治參與以及發言權。\n </p>\n </div>\n</details>" }, "embed_html-r918xz5oiz": { "id": "embed_html-r918xz5oiz", "type": "embed_html", "sortable": true, "weight": 20, "embed_html": "<style>\ndetails > summary {\n padding: 4px;\n background-color: #eeeeee;\n border: none;\n box-shadow: 1px 1px 2px #bbbbbb;\n cursor: pointer;\n text-align: center;\n}\n\n.summary-info {\n box-shadow: 3px 3px 6px 1px #bbbbbb;\n width: 70%;\n margin: 0 auto;\n}\n.summary-info p {\n margin: 0 auto;\n width:100%;\n padding: 1em;\n}\n\nh2 {\n\tdisplay: inline-block;\n}\n\n.center{\n\ttext-align: center;\n}\n.iframe-block {\n width:800px;\n height:600px;\n margin:1em auto;\n}\n@media screen and (max-width: 960px) {\n .iframe-block {\n width:100%;\n height:400px;\n }\n .summary-info {\n width: 90%;\n }\n summary h2 {\n display: initial;\n }\n .summary-info p {\n margin: 0 auto;\n width:100%;\n padding: 8px;\n text-align: left!important;\n }\n\n\n}\n\n</style>\n\n<details>\n<summary><h2>疑問2:妳姓蘇,名妲己嗎?</h2></summary>\n <div class=\"summary-info\" >\n <div class=\"center\" >\n <div class=\"iframe-block\"> \n <iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/VVHkZmYg4TA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" loading=\"lazy\"></iframe>\n </div>\n </div>\n <p>補充說明:從殷墟婦好墓出土的青銅器,以及甲骨文的周祭譜等線索,大致可以了解商代貴族女性名號的命名方式。商人貴族女性名號的組成為「頭銜」+「私名」+「所屬世系群日干」。如婦好是「妣辛」;為武丁王后時,稱「后好辛」;子輩則稱之為「后母辛」。蘇妲己這樣的稱呼並不符合商代的用法,繫姓是周人貴族女性的習慣。在商代金文中都未見到「蘇」這個族氏。而且在商代只有王族的女性,才能成為進入周祭譜的商王法定配偶。而且,商代金文中目前並未見到「蘇」這個族氏。\n </p>\n </div>\n</details>" }, "embed_html-whdjbhg5es": { "id": "embed_html-whdjbhg5es", "type": "embed_html", "sortable": true, "weight": 21, "embed_html": "<style>\ndetails > summary {\n padding: 4px;\n background-color: #eeeeee;\n border: none;\n box-shadow: 1px 1px 2px #bbbbbb;\n cursor: pointer;\n text-align: center;\n}\n\n.summary-info {\n box-shadow: 3px 3px 6px 1px #bbbbbb;\n width: 70%;\n margin: 0 auto;\n}\n.summary-info p {\n margin: 0 auto;\n width:100%;\n padding: 1em;\n}\n\nh2 {\n\tdisplay: inline-block;\n}\n\n.center{\n\ttext-align: center;\n}\n.iframe-block {\n width:800px;\n height:600px;\n margin:1em auto;\n}\n.iframe-flex {\n display: flex;\n justify-content: space-around;\n width: 100%;\n padding: 0 5%;\n height:600px;\n margin:1em auto;\n}\n\n@media screen and (max-width: 960px) {\n .iframe-block {\n width:100%;\n height:400px;\n }\n .iframe-flex {\n flex-direction: column;\n align-items: center;\n }\n .iframe-flex iframe{\n margin: 2em 0;\n }\n .summary-info {\n width: 90%;\n }\n summary h2 {\n display: initial;\n }\n .summary-info p {\n margin: 0 auto;\n width:100%;\n padding: 8px;\n text-align: left!important;\n }\n\n\n}\n\n</style>\n\n<details>\n<summary><h2>疑問3:妲己,妳是不是害商亡國?</h2></summary>\n <div class=\"summary-info\" >\n <div class=\"center\" >\n <div class=\"iframe-flex\"> \n <iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/kswspWUxwmA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" loading=\"lazy\"></iframe>\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/PsIXy8WWOCw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" loading=\"lazy\"></iframe>\n </div>\n </div>\n <p>補充說明:自商朝滅亡後,妲己就被周人冠上牝雞司晨的形象。東周時代,文士常藉古代人、事說服各國國君,並透過「對話模式」呈現。為了豐富說法,文士會配上相對應的內容。如妲己身邊就出現了奸臣膠鬲。但這位膠鬲卻有可能是東夷人士。在以族氏政治為主的商王朝,是不可能擔任重臣。在戰國時代晚期,出現妹喜、妲己、褒姒紅顏禍水導致夏商周三代滅亡的說法。司馬遷縱整先人各方說法,在《史記・殷本紀》完整列出妲己與紂王的亡國罪行,包括建築離宮別館、北里之舞、靡靡之樂、酒池肉林、剖比干心。劉向在《列女傳》中給予女型評價,主要是記載符合儒家典範的女性;不過他寫的《孽嬖傳》,則是認證對國家社稷有不良影響的女性,妲己就被列在其中。總之,從漢代後,在父權社會與儒家思想的加持,妲己已然是亡國壞女人。\n </p>\n </div>\n</details>" }, "embed_html-4f4r9py20y": { "id": "embed_html-4f4r9py20y", "type": "embed_html", "sortable": true, "weight": 22, "embed_html": "<style>\ndetails > summary {\n padding: 4px;\n background-color: #eeeeee;\n border: none;\n box-shadow: 1px 1px 2px #bbbbbb;\n cursor: pointer;\n text-align: center;\n}\n\n.summary-info {\n box-shadow: 3px 3px 6px 1px #bbbbbb;\n width: 70%;\n margin: 0 auto;\n}\n.summary-info p {\n margin: 0 auto;\n width:100%;\n padding: 1em;\n}\n\nh2 {\n\tdisplay: inline-block;\n}\n\n.center{\n\ttext-align: center;\n}\n.iframe-block {\n width:800px;\n height:600px;\n margin:1em auto;\n}\n@media screen and (max-width: 960px) {\n .iframe-block {\n width:100%;\n height:400px;\n }\n .summary-info {\n width: 90%;\n }\n summary h2 {\n display: initial;\n }\n .summary-info p {\n margin: 0 auto;\n width:100%;\n padding: 8px;\n text-align: left!important;\n }\n\n\n}\n\n</style>\n\n<details>\n<summary><h2>疑問4:妲己,妳是狐狸精嗎?</h2></summary>\n <div class=\"summary-info\" >\n <div class=\"center\" >\n <div class=\"iframe-block\"> \n <iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/1Ze8CAVMe_s\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" loading=\"lazy\"></iframe>\n </div>\n </div>\n <p>補充說明:明代的《封神演義》是自漢代後,再次宣揚妲己所有罪行的大成。另外為了豐富小說內容,作者編排妲己的「父親」是商朝的冀州侯蘇護,以及妲己在恩州驛被狐狸精殺害,狐狸精化身為妲己以迷惑紂王等劇情。由於寫得活靈活現,很容易閱讀,至今的戲劇作品,甚至是世人對妲己的印象都源於這本小說。\n </p>\n </div>\n</details>" }, "embed_html-w6e1fl9xeb": { "id": "embed_html-w6e1fl9xeb", "type": "embed_html", "sortable": true, "weight": 23, "embed_html": "<style>\ndetails > summary {\n padding: 4px;\n background-color: #eeeeee;\n border: none;\n box-shadow: 1px 1px 2px #bbbbbb;\n cursor: pointer;\n text-align: center;\n}\n\n.summary-info {\n box-shadow: 3px 3px 6px 1px #bbbbbb;\n width: 70%;\n margin: 0 auto;\n}\n.summary-info p {\n margin: 0 auto;\n width:100%;\n padding: 1em;\n}\n\nh2 {\n\tdisplay: inline-block;\n}\n\n.center{\n\ttext-align: center;\n}\n.iframe-block {\n width:800px;\n height:600px;\n margin:1em auto;\n}\n@media screen and (max-width: 960px) {\n .iframe-block {\n width:100%;\n height:400px;\n }\n .summary-info {\n width: 90%;\n }\n summary h2 {\n display: initial;\n }\n .summary-info p {\n margin: 0 auto;\n width:100%;\n padding: 8px;\n text-align: left!important;\n }\n\n\n}\n\n</style>\n\n<details>\n<summary><h2>疑問5:周人為什麼那麼討厭妳?不但說妳牝雞司晨,還對妳毀屍砍頭?</h2></summary>\n <div class=\"summary-info\" >\n <div class=\"center\" >\n <div class=\"iframe-block\"> \n <iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/iqIC--MJlRo\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" loading=\"lazy\"></iframe>\n </div>\n </div>\n <p>補充說明:在傳世文獻中曾提到牧野之戰後,紂王與妲己戰敗後自焚,但周人仍砍下他們的頭顱帶回周廟獻祭。周人對於王后的殘忍手段,是中國歷史上罕見。為什麼周人會這樣討厭妲己?由甲骨文商王武丁的王后婦好的戰爭紀錄推敲。婦好在武丁的軍事部署中,可能是擔任收網敵人的角色。而這些戰俘不但會成為商王朝的奴隸,還會隨時成為祭祀的犧牲。<br>\n另外,商人對待俘虜是非常的不人道。若妲己在戰場上,擔任與婦好相同的角色,並擄獲周人帶回,這些周人的命運想必很慘。因此也不難想像周人為何會如此討厭妲己。\n </p>\n </div>\n</details>" }, "theme-0cth9s5roy": { "id": "theme-0cth9s5roy", "type": "theme", "sortable": true, "primaryObj": { "oid": "22f40ddd28eb3c1e8f5820dfc31586d2", "fileType": "image", "fileURI": 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rel=\"nofollow\" href=\"https://kamatiam.org/%E5%A6%B2%E5%B7%B1%E4%B8%80%E5%80%8B%E8%84%88%E7%B5%A1%E5%BC%8F%E7%9A%84%E6%AD%B7%E5%8F%B2%E9%87%8D%E5%BB%BA/\">妲己:一個脈絡式的重建</a>〉,歷史學柑仔店。<br><br><br>●特別感謝蔡皓予先生協助展覽說明人物圖像繪製、展覽素材設計製作;藍萱小姐、許舒雅小姐、丁瑞茂先生協助展覽製作與內容校對;蔡玉珊小姐協助前端程式製作。<br><br>", "weight": 28 } }
來源
中央研究院歷史語言研究所
黃銘崇吳慧婷中央研究院歷史文物陳列館