為己而來

被史家耽誤的女人
展覽頁面呈現形式
縱式
策展者
黃銘崇
吳慧婷
中央研究院歷史文物陳列館
展覽封面
027cb6407e7904327773c5ab0c9e2b01
展覽資料
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href=\"https://youtu.be/S8s0ObqgYOk\"><b>「運用三維模型軟體重建妲己形象以及武器建置紀錄」</b></a>、<b>「<a target=\"_blank\" rel=\"nofollow\" href=\"https://youtu.be/qQYQ2fUfLzc\">妲己DEMO的開場影片</a>」</b><br>" }, "text-816nk4ve84": { "id": "text-816nk4ve84", "type": "text", "sortable": true, "weight": 20, "title": "妲己現身——AI語音辨識技術", "desc": "我們所設計的對話腳本,將透過AI語音辨識技術呈現,妲己與觀展者將透過對話進行互動。<br><br>首先,對話腳本的文字內容會透過專業配音員配音、轉化為語音訊息。而AI語音辨識技術則會透過觀眾發問問題的關鍵字,對應相對問題後,協助妲己回答觀眾問題。<br><br>這次使用的AI語音辨識技術主要是搭配「unity 遊戲引擎結合 WebGL Speed Detection 套件」,這個軟體依靠的是Google的語音偵測系統,與其網路上大量的資料庫和數據,能廣泛辨識專有名詞到動畫中的自創招數等字詞。除此,在這個程式中,我們還利用人體紅外線感測,是妲己判斷進入暫時休眠或是要與觀展者互動的<br>待機和喚醒的來源。<br><br>另外,考量每位觀眾的口音不盡相同,會造成同一名詞發音時的差距,因此我們需要進行語音採樣工作。例如關鍵字「比干」一詞,會因口音差異而出現「餅乾」,而這些些微的差距,是會融入被允許的誤差中。這次語音採樣共有22位參與樣本。<br>" }, "imgs-zmk5vl0q2k": { "id": "imgs-zmk5vl0q2k", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "c49d46cbfdd87ad104de155b8608df69", "title": "猜猜誰是妲己!妲己配音的4個挑選樣本", "desc": "", "thumbURI": 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"fileLicence": "著作權利所有", "fileOversize": false }, "sortable": true, "type": "imgs-child", "weight": 3 } }, "weight": 26, "title": "", "desc": "展場展板的規劃設計,以及測試展覽所用的硬體設備。<br><br><br><br><b>影片若無法順利撥放,請於youtube頻道收看</b>「<b><a target=\"_blank\" rel=\"nofollow\" href=\"https://youtu.be/_a7eHANG1HI\">妲己展覽展場設計工作紀錄</a></b>」<br><br>" }, "theme-ajflgbourp": { "id": "theme-ajflgbourp", "type": "theme", "sortable": true, "primaryObj": { "oid": "2f6697955a84defc7645e07bcdd9a75c", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1920/mcode/5a182ca8c2d454ead7d0bf7abf446055.jpg?itok=p9vtGXI8", "level": "primary", "title": "妲己線上成果展覽封面及單元頁底圖", "desc": "", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/5a182ca8c2d454ead7d0bf7abf446055.jpg?itok=dTEZoaWW", "thumbMediumURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_medium/mcode/5a182ca8c2d454ead7d0bf7abf446055.jpg?itok=Q0i8Z1m6", "thumbBigURI": 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聲音更大。它形成是一個漸進的過程,或許與某一些具有權威性的思想學派有關。劉向《列女傳》應該是對宮闈的觀念與女性世界形成的理論基礎。他把女性傳記區分為母儀、賢明、仁智、貞順、節義、辯通以及孽嬖傳。在演講中提到的女性,好幾位都是屬於孽嬖之類型,其實他們非孽也非嬖。 <br>如想要了解妲己,必須要有系統的了解商王朝的王族與王后。也就是要了解婦好與商的女性在商代的政治上扮演蠻重要的角色,不幸地是,歷史是勝利者寫的,商的社會被從周的觀點詮釋。形成很嚴重的誤解。我們會利用婦好與妲己來澄清此種史家形塑的誤解。<br><br><br>演講效益:<br>演講參與總人數計399人。<br><br><br>觀眾對演講回饋:<br><div>●黃教授在演講中不僅重述此點,更提醒聽眾要多方思考,不要被文字牽著走,忽略了小細節。<br>●黃教授擁有豐富的學識背景,將上古的出土文物帶入史料當中,不僅解釋了史料,更替史料做了新的說明,此次的演講說是精采絕倫也不為過。<br>●黃銘崇教授的演講真是開拓了新的的視野!不但沒有拘泥於所謂「宮鬥」與矮化、批判女性的窠臼,而是更進一步體現出何為「有幾分證據說幾分話」的史學精神!扭轉了長期以來大家被大眾娛樂文化誤導,對這些女性的既有印象。此外嚴謹的考據精神也讓人欽佩,也解釋上古時代的背景脈絡以及後世的謬誤,使這些湮沒於後世負面評價的女性面目愈發清晰立體,並逐步發覺歷史的真相。<br></div><div><a target=\"_blank\" rel=\"nofollow\" href=\"https://www.facebook.com/ufi/reaction/profile/browser/?ft_ent_identifier=ZmVlZGJhY2s6MzQ0MTI0OTY4OTI1MzI2Ml8zNDQ3OTY2MTQ1MjQ4Mjgz&amp;av=100000102232907\"></a></div><br><br>演講相關報導:<br>2020秋季講座「宮闈音聲──歷代后妃導讀」開嗓!黃銘崇率先挺女力<br><a target=\"_blank\" rel=\"nofollow\" href=\"https://www.ncl.edu.tw/information_236_11274.html\">https://www.ncl.edu.tw/information_236_11274.html</a><br><br><br>演講線上看:<br><a target=\"_blank\" rel=\"nofollow\" href=\"http://mdava.ncl.edu.tw/content.php?vid=2955\">http://mdava.ncl.edu.tw/content.php?vid=2955</a>" }, "imgs-0j94il3vv0": { "id": "imgs-0j94il3vv0", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "fe74fb5b134cd9cccc59520b3cb52612", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/1af4cc5808034217063c34a5906fe5fe.jpg?itok=dG-fUTJt", "level": "primary", "title": "婦好、妲己、晉姜與夏姬—被史家埋沒的古代女人演講紀錄", "desc": "", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/1af4cc5808034217063c34a5906fe5fe.jpg?itok=ad6jsQE9", "thumbMediumURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_medium/mcode/1af4cc5808034217063c34a5906fe5fe.jpg?itok=a4SpSp-j", "thumbBigURI": 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黃銘崇吳慧婷中央研究院歷史文物陳列館