甲骨與填色

甲骨與填色

2022/11/30
2023/10/17
展覽頁面呈現形式
縱式
策展者
柯維盈
林百尉
黃銘崇
歷史文物陳列館
展覽封面
c70e835c27447d3cbeb7bb593a8c0cdc
展覽資料
{ "front": { "id": "front", "type": "front", "sortable": false, "bgObj": { "oid": "f4df35cb32cf5b9203d0faa7fcda41b9", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/c70e835c27447d3cbeb7bb593a8c0cdc.jpg?itok=U5H0lF3T", "level": "bg", "title": "甲骨填色展覽封面與單元頁素材", "desc": "", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/c70e835c27447d3cbeb7bb593a8c0cdc.jpg?itok=7iBkD932", "thumbMediumURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_medium/mcode/c70e835c27447d3cbeb7bb593a8c0cdc.jpg?itok=EfOdmpao", "thumbBigURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_big/mcode/c70e835c27447d3cbeb7bb593a8c0cdc.jpg?itok=Gre98Bwy", "background": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1920/mcode/c70e835c27447d3cbeb7bb593a8c0cdc.jpg?itok=vv7mNiYH", "mfid": "c70e835c27447d3cbeb7bb593a8c0cdc", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "歷史文物陳列館", "rightsLogo": "https://ihp.openmuseum.tw/files/muse_ihp/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "甲骨與填色", "desc": "請輸入展覽描述", "textColor": "white", "weight": 0 }, "quote-k6wlisaynj": { "id": "quote-k6wlisaynj", "type": "quote", "sortable": true, "musicName": "無", "weight": 1, "desc": "自1899年甲骨文發現開始,學者們陸續出版甲骨著錄和對甲骨文字的考釋。並根據傳世文獻、出土地點和甲骨文字,推知出土最多甲骨的河南安陽小屯村一帶,為晚商都城—殷墟。甲骨文的出土,提供研究商代的材料,除了釋讀文字之外,學者們也注意到甲骨文中填有不同的顏色,並希望可以從這個部分理解更多關於商文化的內容。", "musicText": "", "musicURL": "" }, "theme-r03jbddl3f": { "id": "theme-r03jbddl3f", "type": "theme", "sortable": true, "primaryObj": { "oid": "f4df35cb32cf5b9203d0faa7fcda41b9", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/6c6f75c674a6151854f016ceb097f858.jpg?itok=Ui7FWTTQ", "level": "primary", "title": "甲骨填色展覽封面與單元頁素材", "desc": "", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/6c6f75c674a6151854f016ceb097f858.jpg?itok=fkdZshbp", "thumbMediumURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_medium/mcode/6c6f75c674a6151854f016ceb097f858.jpg?itok=c6DgM0fZ", "thumbBigURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_big/mcode/6c6f75c674a6151854f016ceb097f858.jpg?itok=cUVsrKF3", "background": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1920/mcode/6c6f75c674a6151854f016ceb097f858.jpg?itok=kbn0FJeP", "mfid": "6c6f75c674a6151854f016ceb097f858", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "歷史文物陳列館", "rightsLogo": "https://ihp.openmuseum.tw/files/muse_ihp/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "最早記錄甲骨文字填色者", "desc": "1910年羅振玉將甲骨文刻辭塗朱、塗墨的現象記錄在《殷商貞卜文字考》一書中。", "musicName": "無", "weight": 2, "musicText": "", "musicURL": "" }, "theme-ryujxz1umq": { "id": "theme-ryujxz1umq", "type": "theme", "sortable": true, "primaryObj": { "oid": "f4df35cb32cf5b9203d0faa7fcda41b9", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/85b0fde6eff29e4a15779b01ed29c80f.jpg?itok=rRii4RjU", "level": "primary", "title": "甲骨填色展覽封面與單元頁素材", "desc": "", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/85b0fde6eff29e4a15779b01ed29c80f.jpg?itok=bxXPhmiX", "thumbMediumURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_medium/mcode/85b0fde6eff29e4a15779b01ed29c80f.jpg?itok=7TD13Z0y", "thumbBigURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_big/mcode/85b0fde6eff29e4a15779b01ed29c80f.jpg?itok=Tmbihr48", "background": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1920/mcode/85b0fde6eff29e4a15779b01ed29c80f.jpg?itok=QV2GPGxG", "mfid": "85b0fde6eff29e4a15779b01ed29c80f", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "歷史文物陳列館", "rightsLogo": "https://ihp.openmuseum.tw/files/muse_ihp/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "早期史語所對甲骨填色現象的研究", "desc": "請輸入頁面說明", "musicName": "無", "weight": 3, "musicText": "", "musicURL": "" }, "embed_html-wl4ojkikep": { "id": "embed_html-wl4ojkikep", "type": "embed_html", "sortable": true, "weight": 4, "embed_html": "<style type=\"text/css\">\n\t.text-group {\n\t\tbox-sizing: border-box;\n\t\twidth: 50vw;\n\t\tmargin: 5% auto;\n\t}\n\t.text-group h2 {\n\t\tpadding: 1em;\n\t\tfont-size: 2em;\n\t\ttext-align: center;\n\t}\n\t.text-group p {\n\t\tpadding: 1.5em 3em;\n\t\tfont-size: 1.15em;\n\t\tbackground: #EFEFEF;\n\n\t}\n\t@media screen and (max-width: 1024px) {\n\t\t.text-group {\n\t\t width: 90%;\n\t\t}\n\t\t.text-group h2 {\n\t\t\tpadding: 0.5em;\n\t\t\tdisplay: block;\n\t\t\tfont-size: 1.5em;\n\t\t}\n\t\t.text-group p {\n \t\t\ttext-align: left!important;\n \t\t\tfont-size: 1em;\n \t\t\tpadding: 0.8em 1.2em;\n\t\t}\n\t}\n</style>\n<div class=\"text-group\">\n<img src=\"https://ihp.openmuseum.tw/files/muse_ihp/image/12/31/39/35/30/%E8%91%A3%E4%BD%9C%E8%B3%93.jpg\" class=\"info-img\">\n\t<h2 style=\"background-color: #92BE8E;\">董作賓</h2>\n\t<p>1975年,在〈新獲卜辭寫本後記〉將當時所見填色,分為朱、墨兩種。</p>\n</div>\n<div class=\"text-group\">\n<img src=\"https://ihp.openmuseum.tw/files/muse_ihp/image/12/31/39/34/38/%E5%B1%88%E8%90%AC%E9%87%8C.jpg\" class=\"info-img\">\n\t<h2 style=\"background-color: #FBD77C;\">屈萬里</h2>\n\t<p>《殷虛文字甲編考釋》中,將顏色又分為朱、墨、赭、淡紅、黃、紫等色。</p>\n</div>\n<div class=\"text-group\">\n<img src=\"https://ihp.openmuseum.tw/files/muse_ihp/image/12/31/39/34/39/%E5%BC%B5%E7%A7%89%E6%AC%8A.jpg\" class=\"info-img\">\n\t<h2 style=\"background-color: #E75F5F;\">張秉權</h2>\n\t<p>負責復原、綴合和考釋YH127坑的甲骨,出版《殷墟文字丙編》,以單版甲骨為單位,逐版記錄甲骨文字的填色與褪色狀況,並分成硃、褐、墨三種顏色。其後學界對史語所發掘甲骨填色現象的肉眼觀察結果,均未超出張秉權等學者建立的顏色分類。\n</p>\n</div>" }, "theme-9toiwps1eq": { "id": "theme-9toiwps1eq", "type": "theme", "sortable": true, "primaryObj": { "oid": "f4df35cb32cf5b9203d0faa7fcda41b9", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/d303119f8f0f707c0b59d9e9c6b3d413.jpg?itok=hityY7w2", "level": "primary", "title": "甲骨填色展覽封面與單元頁素材", "desc": "", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/d303119f8f0f707c0b59d9e9c6b3d413.jpg?itok=Riour1Av", "thumbMediumURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_medium/mcode/d303119f8f0f707c0b59d9e9c6b3d413.jpg?itok=I8LPD0_b", "thumbBigURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_big/mcode/d303119f8f0f707c0b59d9e9c6b3d413.jpg?itok=vt2JFZPz", "background": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1920/mcode/d303119f8f0f707c0b59d9e9c6b3d413.jpg?itok=WW3lrbPk", "mfid": "d303119f8f0f707c0b59d9e9c6b3d413", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "歷史文物陳列館", "rightsLogo": "https://ihp.openmuseum.tw/files/muse_ihp/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "填色研究新視野", "desc": "近年史語所黃銘崇研究員領導的甲骨刻辭顏色研究團隊,系統性的整理史語所藏殷墟甲骨和遺物上的填色現象,由史語所文物維護實驗室採用非侵入式的拉曼光譜(Raman Spectre)進行分析,確認甲骨所填顏料的化學成分。<br>截至2021年,研究團隊已檢測了史語所藏甲骨48片,區分出含括硃砂、赤鐵礦、碳黑、針鐵礦等不同礦物性顏料成分,確定了兩種紅色、黑色以及黃色,未能測得顏料成分者為褐色。", "musicName": "無", "weight": 5, "musicText": "", "musicURL": "" }, "theme-vdjsk6n3yl": { "id": "theme-vdjsk6n3yl", "type": "theme", "sortable": true, "primaryObj": { "oid": "c59bf16dfcb9700678905043adeefc99", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/8ef3621f7e84a532778a67d012b330ee.jpg?itok=ppbZFZNX", "level": "primary", "title": "拉曼實驗工作照", "desc": "", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/8ef3621f7e84a532778a67d012b330ee.jpg?itok=XjaIp54S", "thumbMediumURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_medium/mcode/8ef3621f7e84a532778a67d012b330ee.jpg?itok=FjdK32vQ", "thumbBigURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_big/mcode/8ef3621f7e84a532778a67d012b330ee.jpg?itok=noq0b0R3", "background": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1920/mcode/8ef3621f7e84a532778a67d012b330ee.jpg?itok=U0H9QzqU", "mfid": "8ef3621f7e84a532778a67d012b330ee", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "中央研究院歷史語言研究所", "rightsLogo": "https://ihp.openmuseum.tw/files/muse_ihp/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "拉曼光譜分析", "desc": "過去因為科學分析方法的限制,僅有Benedetti-Pichler於甲骨填色研究工作上使用科學方法檢驗顏料性質。Benedetti-Pichler透過傳統濕化學分析法,刮下普林斯頓大學所藏甲骨上的紅色顏料,推測其為硫化汞,存於自然界的硃砂。然而,這種侵入式方法不僅方法繁複、造成文物耗損,且僅能測出顏料可能的成分元素,而非分子結構。", "musicName": "無", "weight": 6, "musicText": "", "musicURL": "" }, "embed_html-34ynld5uvy": { "id": "embed_html-34ynld5uvy", "type": "embed_html", "sortable": true, "weight": 7, "embed_html": "<style type=\"text/css\">\n\t.info {\n\t\twidth: 100%;\n\t\theight: 100vh;\n\t\tdisplay: flex;\n\t\tjustify-content: center;\n\t\talign-items: center;\n\t}\n\t.info-img {\n\t\theight: 100%;\n\t\tmax-height: 800px;\n\t\twidth: auto;\n\t}\n\t.info-text {\n\t\tbackground: #fff;\n\t\tborder: 5px solid #EEC575;\n\t\tpadding: 2em;\n\t\twidth: 35vw;\n\t\tmin-height: 300px;\n\t}\n\t.info-text h2 {\n\t\tfont-size: 2rem;\n\t\ttext-align: center;\n\t\tmargin-bottom: 1rem;\n\t}\n\t.info-text p {\n\t\tfont-size: 1.125rem;\n\t}\n\t@media screen and (max-width: 1024px) {\n\t .info-img {\n\t \tmax-height: 500px;\n\t }\n\t .info-text {\n\t \twidth: 46vw;\n\t }\n\t}\n\t@media screen and (max-width: 960px) {\n\t .info {\n\t \tflex-direction: column;\n\t \tjustify-content: flex-start;\n\t \tposition: relative;\n\t }\n\t .info-img {\n\t \twidth: 100%;\n\t \theight: auto;\n\t }\n\t .info-text {\n\t \twidth: 90%;\n\t \tposition: absolute;\n\t \ttop: 42%;\n\t \tmin-height: fit-content;\n padding: 1em;\n\t }\n\t}\n</style>\n<div class=\"info\">\n\t<img src=\"https://ihp.openmuseum.tw/media/ab4bd9d5f7bdf8e0aecd370222e2ed47/31/39/34/34/ascdc_muse.jpg\" alt=\"妲己線上展覽插畫_黃銘崇老師\" class=\"info-img\">\n\t<div class=\"info-text\">\n\t\t<h2>非侵入式的拉曼光譜分析方法及應用</h2>\n\t\t<p>拉曼光譜儀結合共聚焦顯微鏡及雷射器,形成精準微量取得分子指紋的理想組合;透過這種非侵入式的檢測方法,可迅速辨識樣品中的各種化合物。自2000年代技術成熟之後,拉曼光譜已被學界大量用於分析考古所出土無機質類(包括陶瓷、玻璃等)、有機質類(包括竹木漆器、紡織品、紙質等)以及複合類(包括壁畫、彩陶等)文物,進行顏料成分鑑定、膠料及有機殘留物鑑定、胎體分析,以及真偽鑑別;其中,顏料成分鑑定被廣泛用於壁畫、紙本手稿、漆器、陶器,以及青銅器等,為學者提供關於古代文物所塗顏料種類、來源、製作方法,以及彩繪復原的重要材料。</p>\n\t</div>\n</div>" }, "embed_html-ge22k4ualh": { "id": "embed_html-ge22k4ualh", "type": "embed_html", "sortable": true, "weight": 8, "embed_html": "<style type=\"text/css\">\n\t.info {\n\t\twidth: 100%;\n\t\theight: 100vh;\n\t\tdisplay: flex;\n\t\tjustify-content: center;\n\t\talign-items: center;\n\t}\n\t.info-img {\n\t\theight: 100%;\n\t\tmax-height: 800px;\n\t\twidth: auto;\n\t}\n\t.info-text {\n\t\tbackground: #fff;\n\t\tborder: 5px solid #EEC575;\n\t\tpadding: 2em;\n\t\twidth: 35vw;\n\t\tmin-height: 300px;\n\t}\n\t.info-text h2 {\n\t\tfont-size: 2rem;\n\t\ttext-align: center;\n\t\tmargin-bottom: 1rem;\n\t}\n\t.info-text p {\n\t\tfont-size: 1.125rem;\n\t}\n\t@media screen and (max-width: 1024px) {\n\t .info-img {\n\t \tmax-height: 500px;\n\t }\n\t .info-text {\n\t \twidth: 46vw;\n\t }\n\t}\n\t@media screen and (max-width: 960px) {\n\t .info {\n\t \tflex-direction: column;\n\t \tjustify-content: flex-start;\n\t \tposition: relative;\n\t }\n\t .info-img {\n\t \twidth: 100%;\n\t \theight: auto;\n\t }\n\t .info-text {\n\t \twidth: 90%;\n\t \tposition: absolute;\n\t \ttop: 42%;\n\t \tmin-height: fit-content;\n padding: 1em;\n\t }\n\t}\n</style>\n<div class=\"info\">\n<img src=\"https://ihp.openmuseum.tw/media/ab4bd9d5f7bdf8e0aecd370222e2ed47/31/39/34/32/ascdc_muse.jpg\" alt=\"妲己線上展覽插畫_黃銘崇老師\" class=\"info-img\">\n\t<div class=\"info-text\">\n\t\t<h2>拉曼光譜對史語所藏甲骨的分析</h2>\n\t\t<p>透過非侵入式的拉曼光譜對甲骨所塗顏料進行成分鑑定,不但不必對甲骨進行任何化學前置處理作業,對甲骨刻槽中大小僅數微米的顏料顆粒,亦能借助顯微鏡,精準、迅速地獲得散射光譜,並將所得結果與數據資料庫對照,確認甲骨所填顏料的化學成分。</p>\n\t</div>\n</div>" }, "theme-8c4ksg6boa": { "id": "theme-8c4ksg6boa", "type": "theme", "sortable": true, "primaryObj": { "oid": "f4df35cb32cf5b9203d0faa7fcda41b9", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/4deedb99f5aea715d99e9e11b1b90145.jpg?itok=_Mc1X6qr", "level": "primary", "title": "甲骨填色展覽封面與單元頁素材", "desc": "", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/4deedb99f5aea715d99e9e11b1b90145.jpg?itok=LxovYYuc", "thumbMediumURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_medium/mcode/4deedb99f5aea715d99e9e11b1b90145.jpg?itok=u6dDaKI4", "thumbBigURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_big/mcode/4deedb99f5aea715d99e9e11b1b90145.jpg?itok=jGF5OJRM", "background": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1920/mcode/4deedb99f5aea715d99e9e11b1b90145.jpg?itok=gheYiS75", "mfid": "4deedb99f5aea715d99e9e11b1b90145", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "歷史文物陳列館", "rightsLogo": "https://ihp.openmuseum.tw/files/muse_ihp/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "看一看甲骨上的填色", "desc": "請輸入頁面說明", "musicName": "無", "weight": 9, "musicText": "", "musicURL": "" }, "embed_html-5upfq0vw2x": { "id": "embed_html-5upfq0vw2x", "type": "embed_html", "sortable": true, "weight": 10, "embed_html": "<style type=\"text/css\">\n\t.info {\n\t\twidth: 100%;\n\t\theight: 100vh;\n\t\tdisplay: flex;\n\t\tjustify-content: center;\n\t\talign-items: center;\n\t}\n\t.info-img {\n\t\theight: 100%;\n\t\tmax-height: 800px;\n\t\twidth: auto;\n\t}\n\t.info-text {\n\t\tbackground: #fff;\n\t\tborder: 5px solid #EEC575;\n\t\tpadding: 2em;\n\t\twidth: 35vw;\n\t\tmin-height: 300px;\n\t}\n\t.info-text h2 {\n\t\tfont-size: 2rem;\n\t\ttext-align: center;\n\t\tmargin-bottom: 1rem;\n\t}\n\t.info-text p {\n\t\tfont-size: 1.125rem;\n\t}\n\t@media screen and (max-width: 1024px) {\n\t .info-img {\n\t \tmax-height: 500px;\n\t }\n\t .info-text {\n\t \twidth: 46vw;\n\t }\n\t}\n\t@media screen and (max-width: 960px) {\n\t .info {\n\t \tflex-direction: column;\n\t \tjustify-content: flex-start;\n\t \tposition: relative;\n\t }\n\t .info-img {\n\t \twidth: 100%;\n\t \theight: auto;\n\t }\n\t .info-text {\n\t \twidth: 90%;\n\t \tposition: absolute;\n\t \ttop: 42%;\n\t \tmin-height: fit-content;\n padding: 1em;\n\t }\n\t}\n</style>\n<div class=\"info\">\n\t<img src=\"https://ihp.openmuseum.tw/files/muse_ihp/image/12/31/39/34/33/messageImage_1671703944162.jpg\" alt=\"妲己線上展覽插畫_黃銘崇老師\" class=\"info-img\">\n\t<div class=\"info-text\">\n\t\t<h2>先來認識一下龜腹甲部位與卜辭結構。</h2>\n\t\t<p>一組完整的卜辭,其結構主要有四個部分:前辭、命辭(貞辭)、占辭及驗辭。前辭記錄貞卜的時間及貞人;命辭(貞辭)為卜問的內容;占辭是商王或貞人對卜兆的兆象進行解讀和預判;驗辭則記錄該次貞卜內容的後續結果,以及其是否得到驗證。</p>\n </p>接下來,來看看不同甲骨上的填色。</p>\n\t</div>\n</div>" }, "theme-o5kd4oftlj": { "id": "theme-o5kd4oftlj", "type": "theme", "sortable": true, "primaryObj": { "oid": "84c183cbdc47be861944ef1aa506d57c", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/b27396fd184c7704622ee7eb3464e259.jpg?itok=lv7tZ0NV", "level": "primary", "title": "帶卜辭龜腹甲", "desc": "殷王武丁時期的甲骨。卜問武丁皇后婦好分娩的事。從生產的日子推測吉凶性別。", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/b27396fd184c7704622ee7eb3464e259.jpg?itok=xbER2noY", "thumbMediumURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_medium/mcode/b27396fd184c7704622ee7eb3464e259.jpg?itok=xAWr9p6u", "thumbBigURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_big/mcode/b27396fd184c7704622ee7eb3464e259.jpg?itok=GxoBzRx8", "background": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1920/mcode/b27396fd184c7704622ee7eb3464e259.jpg?itok=FCjdlJ4A", "mfid": "b27396fd184c7704622ee7eb3464e259", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "中央研究院歷史語言研究所", "rightsLogo": "https://ihp.openmuseum.tw/files/muse_ihp/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "史語所藏R041287/《丙編》247、248", "desc": "塗有黑色,顏料成份為碳黑。<br><br><a target=\"_blank\" rel=\"nofollow\" href=\"https://ihp.openmuseum.tw/muse/exhibition/3e816962b2fb8ece6605dfa959e0c5ab\">展開閱讀,深入了解~</a>", "musicName": "無", "weight": 11, "musicText": "", "musicURL": "" }, "theme-6v1ojnn1gd": { "id": "theme-6v1ojnn1gd", "type": "theme", "sortable": true, "primaryObj": { "oid": "0aedecfce4db9ab01ac504c66b01b5cf", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/1474596356833393ecc8d84c4b2d3c3b.jpg?itok=phZcfzCL", "level": "primary", "title": "帶卜辭龜腹甲/帶卜辭龜腹甲|R044327BCWA", "desc": "", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/1474596356833393ecc8d84c4b2d3c3b.jpg?itok=hYkGFl2_", "thumbMediumURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_medium/mcode/1474596356833393ecc8d84c4b2d3c3b.jpg?itok=mW3JMZeS", "thumbBigURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_big/mcode/1474596356833393ecc8d84c4b2d3c3b.jpg?itok=bJ9o3nlG", "background": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1920/mcode/1474596356833393ecc8d84c4b2d3c3b.jpg?itok=bdAgCsW0", "mfid": "1474596356833393ecc8d84c4b2d3c3b", "musicURL": "", "musicName": "", "fileCreator": "中央研究院歷史語言研究所", "rights": "中央研究院歷史語言研究所", "rightsLogo": "https://ihp.openmuseum.tw/files/muse_ihp/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "史語所藏R044327/《丙編》147、148", "desc": "塗有紅色,顏料成份為硃砂。<br><br><a target=\"_blank\" rel=\"nofollow\" href=\"https://ihp.openmuseum.tw/muse/exhibition/b3e54ea2d8fe72e07cf6d9d15f4aeeda\">展開閱讀,深入了解~</a><br>", "musicName": "無", "weight": 12, "musicText": "", "musicURL": "" }, "theme-vbvrgyptcn": { "id": "theme-vbvrgyptcn", "type": "theme", "sortable": true, "primaryObj": { "oid": "3c0887f48c064b5412dd8c3dc8dccef1", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/5ce190d7c94a536f8e8c3b1d0f53fe50.jpg?itok=3uIZ92VW", "level": "primary", "title": "帶卜辭龜腹甲/帶卜辭龜腹甲|R044358BCWA_3", "desc": "本版為一雙刀刻的卜辭,比單刀刻卜辭更接近筆寫的原貌。內容是卜問祭祀、祈雨之事。Divination sentences which were inscribed using the double-carved technique have thicker strokes, and were more similar to the original writings in appearance than those inscriptions using the single-carved technique. This is a divination concerning sacrificial rituals and praying for rain.", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/5ce190d7c94a536f8e8c3b1d0f53fe50.jpg?itok=RJoAZ7xp", "thumbMediumURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_medium/mcode/5ce190d7c94a536f8e8c3b1d0f53fe50.jpg?itok=p9aTZ4p9", "thumbBigURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_big/mcode/5ce190d7c94a536f8e8c3b1d0f53fe50.jpg?itok=7M_jn8Io", "background": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1920/mcode/5ce190d7c94a536f8e8c3b1d0f53fe50.jpg?itok=Qb6Oj_7X", "mfid": "5ce190d7c94a536f8e8c3b1d0f53fe50", "musicURL": "", "musicName": "", "fileCreator": "中央研究院歷史語言研究所", "rights": "中央研究院歷史語言研究所", "rightsLogo": "https://ihp.openmuseum.tw/files/muse_ihp/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "史語所藏R044358/《丙編》207、208", "desc": "塗有紅色和黑色,顏料成份為硃砂和碳黑。<br><br><a target=\"_blank\" rel=\"nofollow\" href=\"https://ihp.openmuseum.tw/muse/exhibition/aecacbc9866d0d0761a50bc38d7dc53c\">展開閱讀,深入了解~</a>", "musicName": "無", "weight": 13, "musicText": "", "musicURL": "" }, "theme-fc608a2e7o": { "id": "theme-fc608a2e7o", "type": "theme", "sortable": true, "primaryObj": { "oid": "777fb84447e0442e0f22a1155850200c", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/bab2e7bf24bc5f68bb76ba9f737291be.jpg?itok=P23TkJJW", "level": "primary", "title": "帶填硃卜辭龜腹甲/帶填硃卜辭龜腹甲|R044852BCWA_3", "desc": "刻有甲骨文數十字。刻字有填墨。本版內容是卜問農作物是否有好收成的刻辭,\"韋\"是貞人名。而本版值得注意的是,有部份刻辭直接刻在卜兆上,也就是所謂的\"犯兆\"。", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/bab2e7bf24bc5f68bb76ba9f737291be.jpg?itok=blAG4cd2", "thumbMediumURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_medium/mcode/bab2e7bf24bc5f68bb76ba9f737291be.jpg?itok=R2tOiQ-8", "thumbBigURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_big/mcode/bab2e7bf24bc5f68bb76ba9f737291be.jpg?itok=n58XlFbc", "background": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1920/mcode/bab2e7bf24bc5f68bb76ba9f737291be.jpg?itok=QdImWQLz", "mfid": "bab2e7bf24bc5f68bb76ba9f737291be", "musicURL": "", "musicName": "", "fileCreator": "中央研究院歷史語言研究所", "rights": "中央研究院歷史語言研究所", "rightsLogo": "https://ihp.openmuseum.tw/files/muse_ihp/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "史語所藏R044852/《乙編》867、868", "desc": "塗有黃色、黑色和紅色,顏料成份為針鐵礦、碳黑和赤鐵礦。<br><br><a target=\"_blank\" rel=\"nofollow\" href=\"https://ihp.openmuseum.tw/muse/exhibition/5d773ae251a1610d6c01c1c226c8e03e\">展開閱讀,深入了解~</a>", "musicName": "無", "weight": 14, "musicText": "", "musicURL": "" }, "theme-pq3frbzqlc": { "id": "theme-pq3frbzqlc", "type": "theme", "sortable": true, "primaryObj": { "oid": "f4df35cb32cf5b9203d0faa7fcda41b9", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/6c6f75c674a6151854f016ceb097f858.jpg?itok=Ui7FWTTQ", "level": "primary", "title": "甲骨填色展覽封面與單元頁素材", "desc": "", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/6c6f75c674a6151854f016ceb097f858.jpg?itok=fkdZshbp", "thumbMediumURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_medium/mcode/6c6f75c674a6151854f016ceb097f858.jpg?itok=c6DgM0fZ", "thumbBigURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_big/mcode/6c6f75c674a6151854f016ceb097f858.jpg?itok=cUVsrKF3", "background": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1920/mcode/6c6f75c674a6151854f016ceb097f858.jpg?itok=kbn0FJeP", "mfid": "6c6f75c674a6151854f016ceb097f858", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "歷史文物陳列館", "rightsLogo": "https://ihp.openmuseum.tw/files/muse_ihp/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "爲什麼要在甲骨上填色?", "desc": "主要有三種說法...", "musicName": "無", "weight": 15, "musicText": "", "musicURL": "" }, "embed_html-10wgzamv9j": { "id": "embed_html-10wgzamv9j", "type": "embed_html", "sortable": true, "weight": 16, "embed_html": "<style>\ndetails > summary {\n padding: 4px;\n background-color: #eeeeee;\n border: none;\n box-shadow: 1px 1px 2px #bbbbbb;\n cursor: pointer;\n text-align: center;\n}\n\n.summary-info {\n box-shadow: 3px 3px 6px 1px #bbbbbb;\n width: 70%;\n margin: 0 auto;\n}\n.summary-info p {\n margin: 0 auto;\n width:100%;\n padding: 1em;\n}\n\nh2 {\n\tdisplay: inline-block;\n}\n\n.center{\n\ttext-align: center;\n}\n.iframe-block {\n width:800px;\n height:20px;\n margin:1em auto;\n}\n@media screen and (max-width: 960px) {\n .iframe-block {\n width:100%;\n height:20px;\n }\n .summary-info {\n width: 90%;\n }\n summary h2 {\n display: initial;\n }\n .summary-info p {\n margin: 0 auto;\n width:100%;\n padding: 8px;\n text-align: left!important;\n }\n}\n\n</style>\n\n<details open =\"\">\n<summary><h2>說法1:美觀</h2></summary>\n <div class=\"summary-info\" >\n <div class=\"center\" >\n <div class=\"iframe-block\"> \n </div>\n </div>\n <p>董作賓:「將已刻文字的甲與骨,加以朱或墨的裝潢塗辭,這是武丁時代卜辭的一種特色」、 「塗辭硃墨以求美觀……」、 「在刻劃的卜兆上,也便塗以硃墨,於是黑紅相映,看起來疏朗清晰、鮮豔悅目」。 \n </p>\n <p>胡厚宣:「契刻卜兆與塗朱塗墨同,為一種藝術,目的在使其顯赫,以求美觀也。」\n </p>\n <p>馬如森:「為了字體的美觀,為了對某一事件表示莊重及嚴肅,是塗朱的主要作用。」\n </p>\n </div>\n</details>" }, "embed_html-3a90r3u5r9": { "id": "embed_html-3a90r3u5r9", "type": "embed_html", "sortable": true, "weight": 17, "embed_html": "<style>\ndetails > summary {\n padding: 4px;\n background-color: #eeeeee;\n border: none;\n box-shadow: 1px 1px 2px #bbbbbb;\n cursor: pointer;\n text-align: center;\n}\n\n.summary-info {\n box-shadow: 3px 3px 6px 1px #bbbbbb;\n width: 70%;\n margin: 0 auto;\n}\n.summary-info p {\n margin: 0 auto;\n width:100%;\n padding: 1em;\n}\n\nh2 {\n\tdisplay: inline-block;\n}\n\n.center{\n\ttext-align: center;\n}\n.iframe-block {\n width:800px;\n height:20px;\n margin:1em auto;\n}\n@media screen and (max-width: 960px) {\n .iframe-block {\n width:100%;\n height:20px;\n }\n .summary-info {\n width: 90%;\n }\n summary h2 {\n display: initial;\n }\n .summary-info p {\n margin: 0 auto;\n width:100%;\n padding: 8px;\n text-align: left!important;\n }\n}\n\n</style>\n\n<details open =\"\">\n<summary><h2>說法2:醒目</h2></summary>\n <div class=\"summary-info\" >\n <div class=\"center\" >\n <div class=\"iframe-block\"> \n </div>\n </div>\n <p>董作賓:「刻完了數字、卜辭,用硃墨分別塗辭,使它顯明。」 \n </p>\n <p>胡厚宣:「契刻卜兆與塗朱塗墨同,為一種藝術,目的在使其顯赫,以求美觀也。」\n </p>\n <p>張秉權:「卜辭刻好以後,往往又在刻痕中填些朱、褐、墨等顏色。那大概是為了使得文字顯著,易於辨識的緣故。」\n </p>\n <p>林宏明:「以刀契刻於甲骨上,其上的文字是極不易辨識的,因此不論塗上何種顏色,其最本質的原因應該還是為了醒目。」\n </p>\n </div>\n</details>" }, "embed_html-6rjwjk5a9m": { "id": "embed_html-6rjwjk5a9m", "type": "embed_html", "sortable": true, "weight": 18, "embed_html": "<style>\ndetails > summary {\n padding: 4px;\n background-color: #eeeeee;\n border: none;\n box-shadow: 1px 1px 2px #bbbbbb;\n cursor: pointer;\n text-align: center;\n}\n\n.summary-info {\n box-shadow: 3px 3px 6px 1px #bbbbbb;\n width: 70%;\n margin: 0 auto;\n}\n.summary-info p {\n margin: 0 auto;\n width:100%;\n padding: 1em;\n}\n\nh2 {\n\tdisplay: inline-block;\n}\n\n.center{\n\ttext-align: center;\n}\n.iframe-block {\n width:800px;\n height:20px;\n margin:1em auto;\n}\n@media screen and (max-width: 960px) {\n .iframe-block {\n width:100%;\n height:20px;\n }\n .summary-info {\n width: 90%;\n }\n summary h2 {\n display: initial;\n }\n .summary-info p {\n margin: 0 auto;\n width:100%;\n padding: 8px;\n text-align: left!important;\n }\n}\n\n</style>\n\n<details open =\"\">\n<summary><h2>說法3:宗教相關</h2></summary>\n <div class=\"summary-info\" >\n <div class=\"center\" >\n <div class=\"iframe-block\"> \n </div>\n </div>\n <p>宋鎮豪:「塗辭可能出於某種占卜心理或與特定的宗教信念有關。」 \n </p>\n <p>白川靜:「施朱於刻辭而使之聖化者,乃是因為貞卜之行為,並不止於預占;它還附有卜兆全體所顯示的神意將來必當實現的意義。亦即所謂卜辭,並不止於貞卜,它還帶著要求貞卜結果變為事實的意味。因此將之刻於卜兆之旁,施色而使之聖化,更且期待於將來的作用,而顯示所證實的事情。」\n </p>\n </div>\n</details>" }, "quote-x79y0pslm7": { "id": "quote-x79y0pslm7", "type": "quote", "sortable": true, "musicName": "無", "weight": 19, "desc": "透過拉曼光譜分析甲骨塗色現象,我們得以鑑定顏料成分、確定顏色種類,從而解決學界長期懸而未決的顏料定性分析問題,並建立客觀、準確的顏色分類,提供學者進一步討論甲骨塗色之功能及意義的可能性。<br><br>那麼你認為甲骨為什麼要塗色呢?", "musicText": "", "musicURL": "" }, "thanks": { "id": "thanks", "type": "thanks", "sortable": false, "thanksList": { "歷史文物陳列館": { "rights": "歷史文物陳列館", "rightsLogo": "https://ihp.openmuseum.tw/files/muse_ihp/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "obj": [ "f4df35cb32cf5b9203d0faa7fcda41b9" ], "objNum": 1 }, "中央研究院歷史語言研究所": { "rights": "中央研究院歷史語言研究所", "rightsLogo": "https://ihp.openmuseum.tw/files/muse_ihp/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "obj": [ "c59bf16dfcb9700678905043adeefc99", "0aedecfce4db9ab01ac504c66b01b5cf", "3c0887f48c064b5412dd8c3dc8dccef1", "777fb84447e0442e0f22a1155850200c", "84c183cbdc47be861944ef1aa506d57c" ], "objNum": 5 } }, "objList": { "f4df35cb32cf5b9203d0faa7fcda41b9": { "oid": "f4df35cb32cf5b9203d0faa7fcda41b9", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/c70e835c27447d3cbeb7bb593a8c0cdc.jpg?itok=U5H0lF3T", "level": "bg", "title": "甲骨填色展覽封面與單元頁素材", "desc": "", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/c70e835c27447d3cbeb7bb593a8c0cdc.jpg?itok=7iBkD932", "thumbMediumURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_medium/mcode/c70e835c27447d3cbeb7bb593a8c0cdc.jpg?itok=EfOdmpao", "thumbBigURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_big/mcode/c70e835c27447d3cbeb7bb593a8c0cdc.jpg?itok=Gre98Bwy", "background": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1920/mcode/c70e835c27447d3cbeb7bb593a8c0cdc.jpg?itok=vv7mNiYH", "mfid": "c70e835c27447d3cbeb7bb593a8c0cdc", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "歷史文物陳列館", "rightsLogo": "https://ihp.openmuseum.tw/files/muse_ihp/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "c59bf16dfcb9700678905043adeefc99": { "oid": "c59bf16dfcb9700678905043adeefc99", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/8ef3621f7e84a532778a67d012b330ee.jpg?itok=ppbZFZNX", "level": "primary", "title": "拉曼實驗工作照", "desc": "", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/8ef3621f7e84a532778a67d012b330ee.jpg?itok=XjaIp54S", "thumbMediumURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_medium/mcode/8ef3621f7e84a532778a67d012b330ee.jpg?itok=FjdK32vQ", "thumbBigURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_big/mcode/8ef3621f7e84a532778a67d012b330ee.jpg?itok=noq0b0R3", "background": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1920/mcode/8ef3621f7e84a532778a67d012b330ee.jpg?itok=U0H9QzqU", "mfid": "8ef3621f7e84a532778a67d012b330ee", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "中央研究院歷史語言研究所", "rightsLogo": "https://ihp.openmuseum.tw/files/muse_ihp/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "著作權利所有", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "84c183cbdc47be861944ef1aa506d57c": { "oid": "84c183cbdc47be861944ef1aa506d57c", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/b27396fd184c7704622ee7eb3464e259.jpg?itok=lv7tZ0NV", "level": "primary", "title": "帶卜辭龜腹甲", "desc": "殷王武丁時期的甲骨。卜問武丁皇后婦好分娩的事。從生產的日子推測吉凶性別。", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/b27396fd184c7704622ee7eb3464e259.jpg?itok=xbER2noY", "thumbMediumURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_medium/mcode/b27396fd184c7704622ee7eb3464e259.jpg?itok=xAWr9p6u", "thumbBigURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_big/mcode/b27396fd184c7704622ee7eb3464e259.jpg?itok=GxoBzRx8", "background": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1920/mcode/b27396fd184c7704622ee7eb3464e259.jpg?itok=FCjdlJ4A", "mfid": "b27396fd184c7704622ee7eb3464e259", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "中央研究院歷史語言研究所", "rightsLogo": "https://ihp.openmuseum.tw/files/muse_ihp/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "0aedecfce4db9ab01ac504c66b01b5cf": { "oid": "0aedecfce4db9ab01ac504c66b01b5cf", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/1474596356833393ecc8d84c4b2d3c3b.jpg?itok=phZcfzCL", "level": "primary", "title": "帶卜辭龜腹甲/帶卜辭龜腹甲|R044327BCWA", "desc": "", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/1474596356833393ecc8d84c4b2d3c3b.jpg?itok=hYkGFl2_", "thumbMediumURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_medium/mcode/1474596356833393ecc8d84c4b2d3c3b.jpg?itok=mW3JMZeS", "thumbBigURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_big/mcode/1474596356833393ecc8d84c4b2d3c3b.jpg?itok=bJ9o3nlG", "background": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1920/mcode/1474596356833393ecc8d84c4b2d3c3b.jpg?itok=bdAgCsW0", "mfid": "1474596356833393ecc8d84c4b2d3c3b", "musicURL": "", "musicName": "", "fileCreator": "中央研究院歷史語言研究所", "rights": "中央研究院歷史語言研究所", "rightsLogo": "https://ihp.openmuseum.tw/files/muse_ihp/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "3c0887f48c064b5412dd8c3dc8dccef1": { "oid": "3c0887f48c064b5412dd8c3dc8dccef1", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/5ce190d7c94a536f8e8c3b1d0f53fe50.jpg?itok=3uIZ92VW", "level": "primary", "title": "帶卜辭龜腹甲/帶卜辭龜腹甲|R044358BCWA_3", "desc": "本版為一雙刀刻的卜辭,比單刀刻卜辭更接近筆寫的原貌。內容是卜問祭祀、祈雨之事。Divination sentences which were inscribed using the double-carved technique have thicker strokes, and were more similar to the original writings in appearance than those inscriptions using the single-carved technique. This is a divination concerning sacrificial rituals and praying for rain.", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/5ce190d7c94a536f8e8c3b1d0f53fe50.jpg?itok=RJoAZ7xp", "thumbMediumURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_medium/mcode/5ce190d7c94a536f8e8c3b1d0f53fe50.jpg?itok=p9aTZ4p9", "thumbBigURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_big/mcode/5ce190d7c94a536f8e8c3b1d0f53fe50.jpg?itok=7M_jn8Io", "background": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1920/mcode/5ce190d7c94a536f8e8c3b1d0f53fe50.jpg?itok=Qb6Oj_7X", "mfid": "5ce190d7c94a536f8e8c3b1d0f53fe50", "musicURL": "", "musicName": "", "fileCreator": "中央研究院歷史語言研究所", "rights": "中央研究院歷史語言研究所", "rightsLogo": "https://ihp.openmuseum.tw/files/muse_ihp/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "777fb84447e0442e0f22a1155850200c": { "oid": "777fb84447e0442e0f22a1155850200c", "fileType": "image", "fileURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1024/mcode/bab2e7bf24bc5f68bb76ba9f737291be.jpg?itok=P23TkJJW", "level": "primary", "title": "帶填硃卜辭龜腹甲/帶填硃卜辭龜腹甲|R044852BCWA_3", "desc": "刻有甲骨文數十字。刻字有填墨。本版內容是卜問農作物是否有好收成的刻辭,\"韋\"是貞人名。而本版值得注意的是,有部份刻辭直接刻在卜兆上,也就是所謂的\"犯兆\"。", "thumbURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/square_thumbnail_100/mcode/bab2e7bf24bc5f68bb76ba9f737291be.jpg?itok=blAG4cd2", "thumbMediumURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_medium/mcode/bab2e7bf24bc5f68bb76ba9f737291be.jpg?itok=R2tOiQ-8", "thumbBigURI": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/thumbnail_big/mcode/bab2e7bf24bc5f68bb76ba9f737291be.jpg?itok=n58XlFbc", "background": "https://ihp.openmuseum.tw/files/muse_ihp/muse_styles/w1920/mcode/bab2e7bf24bc5f68bb76ba9f737291be.jpg?itok=QdImWQLz", "mfid": "bab2e7bf24bc5f68bb76ba9f737291be", "musicURL": "", "musicName": "", "fileCreator": "中央研究院歷史語言研究所", "rights": "中央研究院歷史語言研究所", "rightsLogo": "https://ihp.openmuseum.tw/files/muse_ihp/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false } }, "title": "誌謝", "desc": "●特別感謝劉致慧小姐協助拉曼科學分析工作;許舒雅小姐、吳慧婷小姐協助展覽內容設計排版;蔡皓予先生協助展覽圖像展覽素材設計製作。<br><br>●延伸閱讀:<br>史語所藏甲骨塗色現象研究團隊,<a target=\"_blank\" rel=\"nofollow\" href=\"https://pansci.asia/archives/369823\">〈甲骨文有好幾種顏色?用拉曼光譜分析來告訴你!〉</a>刊登於《泛科學》,(2023)。<br><br>●參考書目:<br><span><b>甲骨釋文</b><b></b></span>\n\n&nbsp;<br>1.董作賓,《小屯第二本.殷虛文字乙編》上、中、下輯。臺北:中央研究院歷史語言研究所,1994。<br>2.張秉權,《小屯第二本.殷虛文字丙編》上、中、下輯。臺北:中央研究院歷史語言研究所,1992、1997。\n\n<br>3.張秉權,《殷虛文字丙編考釋》。臺北:中央研究院歷史語言研究所,1972。\n\n<br>4.朱岐祥,《殷虛文字丙編選讀》。臺北:台灣學生書局,2021。\n\n<br>5.張惟捷、蔡哲茂編著,《殷虛文字丙編摹釋新編》。臺北市:中央研究院歷史語言研究所,2017。\n\n<br>6.香港中文大學,「漢達文庫」。網址:<a target=\"_blank\" rel=\"nofollow\" href=\"http://www.chant.org/Bone/\">http://www.chant.org/Bone/</a>。<br><br><span><b>過去對甲骨填色現象的記錄與研究</b><b></b></span>\n\n&nbsp;<br>1.董作賓,〈新獲卜辭寫本後記〉,頁183-213。收入《安陽發掘報告(第一期)》。臺北:中央研究院歷史語言研究所,1929;1996年景印一版。<br><span>2.屈萬里,《殷虛文字甲編考釋》。臺北:聯經出版公司,1984。<br></span>3.張秉權,〈序〉,頁1-13。收入氏編著,《殷虛文字丙編.上輯(一)》。臺北:中央研究院歷史語言研究所,1957。<br><span><b><br>科學分析甲骨所填顏料</b><b></b></span>\n\n&nbsp;<br>1.柯維盈、林百尉、劉致慧、黃銘崇、陳光宇,〈甲骨刻辭之塗色及其意義——以YH127 坑為例〉,頁1-48。收入《第二十一屆中區文字學學術研討會論文集》(未出版)。臺中:逢甲大學中文系,2019年。<br>2.陳光宇、劉致慧、柯維盈、林百尉、黃銘崇,〈甲骨刻辭塗色的拉曼光譜分析〉,頁458-474。收入宋鎮豪主編,《甲骨文與殷商史》新十輯。上海:上海古籍出版社,2020。\n\n<br>3.陳光宇、劉致慧、何毓靈、柯維盈、黃銘崇,〈殷墟出土甲骨、文物、棺土的拉曼光譜分析〉,《古今論衡》37期\n(2021.12),頁73-89。\n\n<br>4.Liu,\nJhih-Huei, Weiying Ke, Ming-chorng Hwang, Kuang Yu Chen. “Micro-Raman\nspectroscopy of Shang oracle bone inscriptions.” Journal of Archaeological\nScience 37 (June 2021): 102910, accessed March 2, 2022, doi:\n10.1016/j.jasrep.2021.102910. <br>\n\n<span>5.Liu, Jhih-Huei,\nYuling He, Weiying Ke, Ming-chorng Hwang, Kuang Yu Chen. “Cinnabar Use in Shang\nSociety: Study with Micro-Raman Spectroscopy and X-Ray Fluorescence.” Available\nat SSRN: <a target=\"_blank\" rel=\"nofollow\" href=\"https://ssrn.com/abstract=3958705\">https://ssrn.com/abstract=3958705</a> or\n<a target=\"_blank\" rel=\"nofollow\" href=\"http://dx.doi.org/10.2139/ssrn.3958705\">http://dx.doi.org/10.2139/ssrn.3958705</a>, accessed March 2.</span>", "weight": 20 } }
來源
中央研究院歷史語言研究所
展覽音檔
{}
柯維盈林百尉黃銘崇歷史文物陳列館